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rider
HomeLive ✶ Rider
everything production needs

Technical &
Hospitality Rider

Written for production managers and promoters. Anything here can be adjusted by arrangement. Ask rather than assume.

Formats

Three settings, scaled to the room.

solo

Voice and piano

Jennifer alone at the piano. Her own white baby grand can travel to the venue by arrangement, subject to access, space, schedule and the technical situation on site.

  • Playing area from two metres square
  • Soundcheck from thirty minutes
duo

With guitar and harmony

Jennifer with her guitarist on acoustic guitar and backing vocals. Warmer and fuller, still built for a listening room.

  • Playing area from three by two metres
  • Soundcheck from thirty minutes
band

Full band

Five to seven players. Line up and the full input list are confirmed in advance for each show.

  • Playing area by arrangement
  • Soundcheck by arrangement
Technical

What the venue provides.

Solo, voice and piano

RequirementDetail
PianoA well tuned acoustic piano, or a good quality digital stage piano
Vocal microphoneShure SM58 or Beta58, or equivalent, with stand
DIFor piano or keys, if digital
MonitoringOne monitor on stage
PAAppropriate to the room, with reverb available on the vocal
Input list1. Vocal, XLR, with reverb  ·  2. Piano or keys left, DI  ·  3. Piano or keys right, DI

Duo, voice, guitar and harmony

RequirementDetail
MicrophonesTwo vocal microphones with stands
DIFor acoustic guitar
MonitoringTwo monitors, or good shared monitoring
PAAppropriate to the room, with reverb on the vocals
Input list1. Vocal, XLR, with reverb  ·  2. Backing vocal and guitarist, XLR  ·  3. Acoustic guitar, DI

Full band

RequirementDetail
Input listConfirmed in advance per line up. Typically vocals, piano and keys, guitar, bass, drums and any additional instruments
PAAppropriate to the room
MonitoringSufficient wedges or in ear monitoring for the line up
StageMicrophones, DI boxes and power to suit the line up
own PA

Smaller rooms

For events up to roughly one hundred and twenty seated listeners, or seventy at a reception, Jennifer can bring her own sound system by arrangement. Above that, a PA and technical support from the venue are needed.

Stage Plans

Where everything goes.

Drawn to scale from the minimum playing areas and input lists above. Both plans mirror without difficulty if the room needs it.

Solo, voice and piano

Minimum 2 m x 2 m
AUDIENCE2 m2 mPianoVocal micWedge 1
3 channels. Vocal XLR with reverb, piano or keys left and right on DI. One monitor. Piano placed so she faces the room.

Duo, voice, guitar and harmony

Minimum 3 m x 2 m
AUDIENCE3 m2 mVocal micVocal mic 2Wedge 1Wedge 2Guitar DI
3 channels. Lead vocal XLR with reverb, guitarist vocal XLR, acoustic guitar on DI. Two monitors, or good shared monitoring.

Full band

By arrangement

The line up varies between five and seven players, so the stage plan and input list are issued with the advance for each show rather than fixed here. Send the stage dimensions and available channel count with the enquiry and they will come back to you against your room.

Download the rider as a PDF One page, A4. Everything on this page, ready to forward to production.
Hospitality

Backstage, briefly.

room

Dressing room

  • A tidy, lockable dressing room or quiet backstage space
  • Mirror and good light
  • Seating and a table
  • A toilet nearby
  • Somewhere secure for personal belongings
food

Food and drink

  • Still water at room temperature
  • Coffee and tea
  • A light meal, sandwiches or snacks, depending on time on site
  • Dietary: gluten free, and no pork
access

Load in and timings

  • Parking as close to the venue as possible
  • Load in at the entrance or artist entrance
  • A named contact on site at arrival
  • Help to move the piano to the stage where needed
  • Arrival, soundcheck and show times confirmed in writing in advance

The stage should be clean, stable, safe and easy to reach. Changes to any of the above are usually possible. Please ask in advance rather than on the day.